Thousands of Greys

duusk:

mea-aloha

boyslut:

coolest gif ever omg

It kills me a little bit more inside everyday I’m not with her.. :( 

ufocottoncandy:

The Postal Service “Such Great Heights”

I am thinking it’s a sign that the freckles
In our eyes are mirror images and when
We kiss they’re perfectly aligned
And I have to speculate that God himself
Did make us into corresponding shapes like
Puzzle pieces from the clay
And true, it may seem like a stretch, but
Its thoughts like this that catch my troubled
Head when you’re away when I am missing you to death
When you are out there on the road for
Several weeks of shows and when you scan
The radio, I hope this song will guide you home

They will see us waving from such great
Heights, ‘come down now,’ they’ll say
But everything looks perfect from far away,
‘come down now,’ but we’ll stay…

I tried my best to leave this all on your
Machine but the persistent beat it sounded
Thin upon listening
And that frankly will not fly. You will hear
The shrillest highs and lowest lows with
The windows down when this is guiding you home

welovepaintings:

Thomas Kennington
Great Britain 1856-1916
Homeless 1890
oil on canvas
170.0 x 152.0 cm

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Homeless, 1890, is one of a series of works in which Kennington depicts the plight of women and children who were impoverished or destitute. Subjects such as these gained popularity during the 1870s and 1880s, partly as a result of the increasing influence of illustrated journals, which regularly commisssioned artists to provide images of ‘real’ life.

In Homeless, the square-brush technique used by Kennington in painting the wet pavement and the river, and his focus on subtle tonal variations rather than on colour - as in the soft grey light illuminating this scene - were among the characteristics adapted by British artists from French sources at the time.

CultureVictoria

sealegslegssea:

andy—whorehol:

from last friday’s shoot

everyone keeps asking me how to deer happened

you guys i’m a deer whisperer i’m not even kidding i swear